‘I can’t think of another space like that in Fallout 76’: there’s more to see in Atlantic City now part two of the Expedition is here

Character standing in a red wood in power armour

With the Fallout TV series only a few weeks away from airing, now’s a great time to jump back into the Wasteland. If you’re on the fence about where to look for your radioactive fix, Fallout 76‘s latest Expedition, Atlantic City: America’s Playground, is honestly a great starting point. 

“Like everyone else, I’m really looking forward to the show coming out and can’t wait to see it,” Art Director for Fallout 76, Jonathan Rush, tells me. “What I anticipate it’s going to do is shed light on the franchise for folks that may not have been aware of it or folks that haven’t visited Fallout in a while. And hopefully, it encourages them to hop into any of the Fallout games and check it out for themselves and make their own stories in that space, which I know our fan base has already done such a great job with.”

Fallout 76 Expeditions, Atlantic City: Boardwalk Paradise, already released in late 2023, but now there are even more shenanigans to get up to in the second part, Atlantic City: America’s Playground.

Three people walking through a derelict city

(Image credit: Bethesda Softworks)

In case you don’t know the Fallout lore about Atlantic City, the place is pretty untouched by the radioactive mess that infects and has destroyed many other settlements. The pine belt that surrounds the city has sheltered it from much of the chaos in the wastelands, and it wasn’t directly targeted by nuclear warheads during the Great War. While there was severe flooding, the Casino district was left largely untouched. Eventually, three factions emerged: the theatrical Showmen, the mob called The Family, and the Munis, which took on government responsibilities. Working together in a shaky alliance, Atlantic City was able to prosper and look after most of its citizens. 

I loved being able to see how the flooded city centre really shaped up to support the story.

Jonathan Rush


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